Well if this was "pulp fiction" I'd agree, but this is going to be over 100K words... more likely the way things are going between 120K and 200K per book.Speaker to Animals wrote:The Conservative wrote:So, in little over a week's time I've pushed out about 20 pages, that is working 2 hours a day on it. I've taken the story and thrown a twist into it. I'm introducing secondary characters into the story before the primary.
With those that read a lot, does this kind of writing happen more than not, or is it that they introduce the main character first and go from there?
You can do whatever you want, but in pulp fiction, that's generally a bad idea. Introduce your protagonist as early as possible, demonstrating his character right away. The plot should involve enormous stakes for your lead character and you should also develop that early. Think about how Indiana Jones started.
I don't claim you cannot do something different, but that stuff really might not be a good idea.
You might also consider some kind of strategy like plotting rather than writing the thing from page one. Most people I know seem to prefer starting later in the story and worrying about the beginning of the novel later on the process. But you should have some kind of structure pinned down before you start writing the actual novel.
As for the rest, I'm introducing characters which will and have already influenced the main character's life growing up, and situations that will follow her throughout the first and part of the second book. Chapter 3 of the first book, which I am working on now is where the main character is truly introduced.
The entire story is already written per say I wrote a synopsis of it the beginning of the year at least up to the 2nd book and part of the third, I am just filling in the gaps as I write.
Also, the story board idea is good, but if I constrict myself too much nothing will get done. I tried that already and it took me a week to write two pages because I was putting too much constraint on myself.